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FTR LOG NOTES FREE DOWNLOAD !!TOP!!


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FTR LOG NOTES FREE DOWNLOAD

LOOKING FOR BRITAIN’S BEST RADIO STATION? WELL! THIS IS IT!

A few weeks ago I set up a link for this audio stream in the ” RADIO STATION ” section of the forum ” EARDUMPERS “. I will be posting THE LIST OF RADIO STATIONS every Friday to give you a link to follow so that you can access the stream. PLEASE NOTE THAT THE AUDIO STREAM WILL RUN EVERY WEEK WITHOUT REQUEST AND IT WILL BE RUN FOR AS LONG AS THE LINK IS PRETTY GOOD TO HEAR : )

IF YOU ENJOY THIS SERVICE PLEASE SEND ME THE LINK AND I WILL LIST YOU AS A FRIEND IN THE DEDICATION SECTION OF MY PREMIUM ACCOUNT : )

Come join the Loonatics on our radio podcast every friday with all the great music and interviews from the week on this audio show!

Attention! The episode will be in utomix 1. the show will not be embedded in this page but it will be available in the Audio Player of our website.

An introduction to Nicola Savio, the artist, the story of her career and her personal life, how she started making music and how she has managed to grow up till now and what her future is. From 2006 – 2017 Nicola has been working on making classic new wave and post rock music.

We will hear a selection of the most representative tracks of her discography as well as some very personal conversations regarding Nicola Savio and her art.

Angie Zahada, a truly dynamic and evocative singer/ songwriter, from the Mediterranean, will enthrall you with her talent, style and soulful voice. She will make you fall in love with her beautiful songs, her beautiful voice, and with her evident passion for music.

Facing extreme difficulties on her way to the big city, stricken with pain and bitterness, Angie decided to leave the small town and go on to win the big city through her music.

Our show will feature her latest hits including:

– Kullen, Suur- Sertun, Non, Payspizz and Khalfan.

– Three personal stories about the challenges of living in a big city and how Angie managed to overcome them with her own strength and determination.

Does the name FTR mean something to you? If so, please click here and read FTR Blog ( Archive for August 2011 – January 2012 )

FTR is FOR THE RECORD. Everyone who plays recorded audio (presumably from a
disc, cassette, MP3, or similar) knows that some, or in extreme cases, most, sound bad. If you’ve ever listened to a CD, you’ll know what I’m talking about. If you haven’t, then you’re probably wondering what all the fuss is about.

So, what are the main causes of bad sound? We’ll look at
each one in turn:

Bad or over-tight microphone windscreens

Awful or non-existent EQ

No remotes or “thick” mixes

All of these things, put together, can make a cassette sound
terrible, a CD sound terrible, or even a vinyl record sound terrible. There’s a simple way to fix them and save money too.

So, how to check them? Some of them are easy to spot, some will take a bit more time. Let’s look at them in turn.

Bad or over-tight microphone windscreens

Most low-cost, unmarked audio record decks come with cheap microphone windscreens. The worst will be 100% cotton, although there are cheaper ones with a
mixture of cotton and synthetic fibre. Some people use cloth
microphone stands because they offer more protection than a
cardboard mount. However, some feel that the cloth microphone is
not very effective or doesn’t work as well as the cardboard mount.

In fact, some people actually believe that you should use a 10″ or 12″
slotted micro-cardboard microphone stand rather than a cardboard
microphone mount for reasons that are beyond the scope of this
blog. However, I did find this little tip on the web:


The solution is to use the “tape wind”. Essentially, this is a
muff that goes over the mouthpiece in such a way that the
microphone is situated just where the wind needs to be. The
purpose of this is to make a good, tight seal at the mouthpiece.
The tape wind is usually sold with the windscreen and in the
sealed bag of most equipment. All you need to do is buy
a roll of micro-tape, use it to tape off the mouth
3e33713323

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